In this thesis I will explore the field of 'soft art' and, in general, textile art and the artists who work with textiles. The focus of the work itself is on the transformation of everyday objects and questioning their functionality, with the aim that the interaction with audience arouses positive emotions. This work is a large spatial installation made of blankets, sponges, and everyday objects. The text describes the history of textiles over thousands of years, from the Stone Age to the present day. The development of the textile itself is also described, along with various tools and manual work. Materials such as cotton, silk, wool, and polyester are mentioned, along with their industrialization and mass production. In this paper, a short reflection on previous own works that are directly related to this work is presented. Various artists who used textiles in their work were analyzed, such as Christo and Jeanne-Claude, Faig Ahmed, Louise Bourgeois, Sarah Zapata, Amanda Browder, Anton Alvarez, Meret Oppenheim, Jon Rafman... I connected my own works with their works and noticed that we have similar goals in artistic expression. In this thesis, I desribe my own concept and reasons for creating this work and I present and desribe the practial part of the work. In it, I analyze the methods of creating, assembling, wrapping and gluing that I used in my work. Finally, I conclude by reflecting on my goal and what I want to convey to the visitors of the exhibition.